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Directors Joséphine A. Zmolek and Paul Zmolek draw inspiration for their collaborative choreographic installations from Ushio Amagatsu’s Sankai Juku, Pina Bausch’s Tanztheatre Wuppertal, Lloyd Newson’s DV8 Physical Theatre, Robert Wilson’s visual theatre, Antonin Artaud’s call for a “cruel theatre”, Jerzy Grotowski’s “holy actor”, Richard Schechner’s analysis of ritual theatre, the aleatoric compositions of John Cage, the irreverance of DADA and the Futurists, and the fearless honesty and complete vulnerability demanded from Performance Art. |
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